“It’s all about power in the darkest hour… ain’t no free ride, if you want to glide, on it” says Bey on the song Sacred.
This newly formed duo appeals to the cinematic sense of music and the freedom to navigate beyond category. Inspired by the revolutionary 1960’s of Detroit, Chicago and Los Angeles, marinated over time, Citizen X finds a new voice in the theater of today’s globalized one-world politics. The duets move through a landscape filled with a sense of spirituality, atmospheric sound bytes punctuated by wide ranging guitar sounds and observant commentary on today’s tumultuous world. Cadillac Eldorados, Sun Ra’s Arkestra and names like Amiri Baraka, Fred Hampton and Huey P. Newton come to mind in a blend of black-a-delic consciousness, bringing a sense of proximity to both danger, beauty and love.
Jean-Paul Bourelly started his musical career in Chicago playing with some of the south side’s most adventurous figures like Phil Corran, Pete Cozey and formed his outlook on music. The city was blazing one night and the next day everything was gone. So was the 60′s in the heat of social change. Bourelly moved his avant blues on to New York performing with Elvin Jones, Miles Davis and Pharoah Sanders before embarking on 14 CD’s under his own name, which include Saints and Sinners (DIW), the rock flavored Trippin and Afro experimental trip, Boom Bop.
Sadiq Bey began his social investigation with performance and poetry in post-insurrection Detroit’s experimental music scene with artists like Faruq Z. Bey, Kenny Cox, poet Dudley Randall and drummer, Roy Brooks. He is best known as the front man for Don Byron’s NuBlaxploitation, Tuskegee Experiments, The Othello Syndrome with pianist Uri Caine and his own projects, schwartzegeist and Green_man. In 2008 he received the Berlin Studio Project Award for his electronic/acoustic recording Slow the Ear (Allzeit Musik). He recently appeared at English Theatre Berlin, International Performing Arts Center in the role of Maurice in the world premiere of Alexander Thomas’ play Schwarz gemacht.